martes, 20 de junio de 2017

Camana y Almeida

Environmental Journalism and possible "environments"[1]
Periodismo ambiental y los “ambientes” posibles

                                               Ângela Camana.
                                               Universidade Federal do Rio Grande do Sul. Porto Alegre, Brasil.
                                               E-mail: angela.camana@hotmail.com

                                              Jalcione Almeida.
                                              Universidade Federal do Rio Grande do Sul. Porto Alegre, Brasil.
                                              E-mail: jal@ufrgs.br.

Abstract: The environmental theme, driven by the engagement of social movements and by specific policies around the world, has been gaining strength in the academic space. Little by little journalism also adopts the "environment" as an agenda, even if it is through events such as natural disasters and catastrophes, when not due to "cold agendas" that address curiosities of fauna and flora. Considering journalism as a discourse and as a form of knowledge about the world, this article, with an essay disjointed profile, reflects on the possibilities of building "Environmental Journalism." To this end, it presents different approaches to the "environment" from different theoretical matrices, among them Realism, Constructionism, and Post-constructionist proposals. It is concluded that it is necessary to define what is meant by environment when speaking of Environmental Journalism, because the different theoretical perspectives evoke quite diverse meanings - both of which have implications for its design and practice.
Keywords: Environmental Journalism. Journalism. Environment.

Resumen: El tema del medio ambiente, impulsado por el compromiso de los movimientos sociales y políticas específicas en todo el mundo, ha ganando fuerza en el espacio académico. Poco a poco también el periodismo adopta el "medio ambiente" como el orden del día, aunque todavía a través de eventos tales como catástrofes y desastres naturales, cuando no temas menos urgentes como curiosidades de la fauna y flora. Considerando el periodismo como discurso y como una forma de conocimiento del mundo, este artículo con un perfil de ensayo piensa en las posibilidades de construcción de un "periodismo ambiental". Para este propósito, se apresentan distinctos enfoques del “medio ambiente” desde diferentes matrices teóricas, dentre ellas el Realismo, el Construccionismo y propuestas Pós-construccionistas. Se concluye que es necesario delimitar lo que se entiende por medio ambiente cuando se habla de periodismo ambiental, porque las distintas perspectivas teóricas evocan direcciones bastante diferentes – las cuáles tienen implicaciones en su concepción y práctica.
Palabras clave: Periodismo Ambiental. Periodismo. Medio ambiente.

The "environment" as an issue

Although environmental problems have always occurred, it is at the end of the 20th century that they become a distinguished object of interest: from the 1960s, the planet seems to have acquired a sort of "ecological sensitivity." In more general political terms, an environmental issue has arisen, in which the environment is (re)defined by societies in more ways than one. From a critique of capitalism and the power of techno science, the movements of counterculture contribute to put the relationships held between society and nature into question. Thus, it is seen that is the civil sphere that emerges from the reflections that come to enter the academic and institutional space l: here we cite the creation of Earth Day in 1970 as a milestone in the ecological discussions, despite knowing situated especially in the countries of the global North.
It is in the context of effervescence that various social spheres have included the ecological dimension in its patterns, weaving relationships especially between the growth of nations and the already scarce "natural resources." The publication best known to throw light on the subject dates from 1972: the Meadows report (The limits to growth). The document, which is sponsored by the Club of Rome, brings the findings of a study conducted by researchers at the Massachusetts Institute of Technology (MIT), which sought to estimate the time necessary for the depletion of "resources" on the planet if the growth trends of production and consumption remained the same (Porto-Gonçalves, 2012). In that same year, the United Nations convened the conference in Stockholm, Sweden, the first major international meeting in which the debate focused on the issue of the environment - even though this was always evoked in its relationship with development or growth. Also in 1972, in the wake of the discussions in Stockholm, the UN created the United Nations Environment Program (UNEP), an entity which launched the Brundtland report in 1983, also known as "Our common future": it is in this document that the concept of "sustainable development" becomes popular (Redclift, 2002), from the questioning of the unequal ways of life in different nations and criticizing consumption beyond the bearable for ecosystems.
In the same way that environmental issues are to be incorporated institutionally, this reflection also moves into the realm of science, where each area of knowledge is to reflect on the importance of its prospects and/or objects of research to begin to also include nature, which until then was relegated only to the field of natural sciences. In the social sciences, which until then had been concerned with the relations of humans among themselves, there are quite distinct theoretical and methodological approaches for the apprehension of natural phenomena and their effects on society.
Such considerations also arrive to journalism, which, in many ways, begins to consider the environment in its journalistic doing. From the end of the 1990s, journalists from all over the world begin to organize themselves into association issues, building spaces for debate and further training: on a global scale, the largest entity is the society of journalists from the Environment of the United States. In Brazil, in 1998, the Brazilian Network of Environmental Journalism (RBJA) was founded, which played a fundamental role in the formation of the communication network environment of Latin America and the Caribbean (RedCalc) two years later. It is, furthermore, organizations such as the Asociación de Periodistas de Información Ambiental de España (APIA) and the portuguese Associação de Repórteres de Ciência e Ambiente (ARCA) that stand out. Regardless of how the professional practices have been modified, the debate resounds in the production of knowledge in this field, because researchers are to reflect on what is and what should be the so-called "Environmental Journalism." Looking at the various studies that focus on the Environmental Journalism[2] , it is seen that a large proportion of them proposes a wide-ranging discussion on Journalism, that is, how to conceptualize it and discuss it. However, there are few studies that explain what is Environment.
Understanding that the environment is configured as a fundamental category for the proposal of an Environmental Journalism, it is thought to be necessary to define the term. Thus, the objective of this study is based on the relation between society and nature, discussing the possibilities about the concept of environment and its relations with journalism. Therefore, this work is divided into three main axes.
In the first part of this text, in order to present the recent production on "Environmental Journalism,” we briefly explore the concept of journalism, namely: a form of knowledge about the world (Meditsch, 1992, 2004; Genro Filho, 1989), which is crossed by discourses that are combined and confronted (Charaudeau, 2009).  In a second moment, a panorama of the understanding of what is Environment in the Social Sciences is laid out and its connections with the practice of journalism are verified. Among the various theoretical matrices, it is Realism (Catton and Dunlap, 1978), the Constructionist prospects (Beck, 2011; Giddens, 1991; Hannigan, 2012), and also investments that can be considered Post-Constructionists (Descola, 2011; Latour, 2000, 2013; among others). In conclusion, it is suggested that it is possible to conceive "Environmental Journalism" in as many ways as there are interpretations of the Environment: it is argued, however, that these are always explicit, since the different perspectives have implications in the understanding and practice of Environmental Journalism. With this there we do not intend to take a normative tone or close this debate, but it is expected to launch clues that will contribute to the construction of what is the Environmental Journalism and its potential.

 “Environmental Journalism”: a concept in dispute
Even though this article proposes a revision theory and the literature on "Environmental Journalism,” it is clear what is meant here by journalism, since there are many ways to understand it. From the perspective of a craft in the middle of others to those conceptions that give an account of the specificities of this practice, the values generated by each glance are different, as if weaving different relations between journalism and "truth" and the "public interest" - which sometimes clash with each other.
By not believing in the possibility of a totalitarian institution, which operates with the idea of a "truth" only in order to reflect the "reality" as a mirror, we assume here a perspective of constructionist character and discourse, that is, journalism is one way among other possible ones to apprehend the world(s) and, at the same time as it narrates it(them), it also produces it(them). We do not ignore the practical dimension of this knowing/doing: modern journalism mobilizes individuals in quite specific, buoyed productive routines - perhaps more than by an ethical imperative - for a commercial context: situated in a universe of competition, journalism today is a product to be consumed.
Thus, journalism is seen as a form of knowledge, that is, there is a production of knowledge, which is distinguished for being transient and ephemeral, but still essential to companies. This perspective, suggested originally by Park (2008) from a functionalist matrix, is exploited by Genro Filho (1989), who points out the singularity as the category in which the knowledge coming from journalism crystallizes, in opposition to the universal one, which would be of interest to science and its way of perceiving the world. In a similar way, Meditsch (1992, 1994) points to the specificity of the knowledge produced by journalism, which - on the basis of professional values that guide and the actual conditions of production - produces differentiated forms of narratives, which allows even aspects of a given fact or context to be revealed that other forms of knowledge ignore. Consequently, a prospect of a knowing/doing subject to misunderstanding and aware of the transitoriness of the certainties it produces, because journalism is always situated knowledge[3].
In dialog with this perspective, we defend the conception of journalism as a discursive field, inserted in a larger discursive universe. Even though we speak of journalism in the singular, this is not assumed as homogenous or static, but, on the contrary, it is taken as a field (always in dispute and asymmetric) in which different discourses are confronted, are combined and - even - renewed (Charaudeau, 2009). This discursive character corroborates to the understanding already mentioned of journalism as a mechanism of social construction because this develops a public space by itself. Once more, the partiality of knowledge produced by journalism is evident:

All social knowledge, and Journalism is a social knowledge, involves a particular point of view on history, society, and humanity. And since Humanity and History are processes that are under construction, naturally there is no purely objective Journalism, that is, absolutely neutral Journalism. (Meditsch, 1992: 31).

This brief review is performed in order to emphasize that, although accompanied by an adjective, Environmental Journalism is, first of all, Journalism. How we understand Journalism, then, impacts the constitution of this concept: Environmental Journalism does not cease to be a knowing about the world, nor a product and practice permeated by different discourses, which hinder alliances and conflicts.
However, it is observed that there are few studies on this topic, reflecting what the concept of Environmental Journalism are mobilizing: between 1987 and 2010, only 11 dissertations and theses defended in Brazil, in a universe of 101, have this concern (Girardi, Loose, and Camana, 2015). Thus, the very definition of Environmental Journalism is a construction to come and in dispute. In order to synthesize this issue, a distinction has been suggested between what they call "Journalism of/about the Environment" and Environmental Journalism (Girardi et al., 2013; Girardi, Loose, and Camana, 2015): while the first lies in the field of conventional journalism, having the characteristic of only thematic clipping, that is, it discusses "environmental” guidelines, the second should go beyond mere specialization by subject. For these authors,

Environmental journalism, starting from a specific theme (but cross-sectional), aims to be transforming, mobilizing, and a promoter of debate by means of qualified information and in favor of full sustainability. For its implementation, it is necessary to seek support in more comprehensive views, allowing to see the connections, overcome the reiterated fragmentation. In this way, the nature of the specialized journalism merges with the socioenvironmental demands that ultimately compose the horizon of reflection of emerging paradigms (Girardi, Schwaab, Massierer, and Loose, 2012: 148).

Similarly, other authors argue that Environmental Journalism should be more than a thematic specialization, a specific form of approach: “Cualquier información puede tener un enfoque ambiental. Nuestra obligación como periodistas ambientales es encontrarlo.” (Larena, 2010: 17). Under these proposals, a particular conception of journalism is clear, through a duty being anchored in practice and ethical values inherent to the profession. However, the concept of environment that concerns this form of journalism is not explored, only some clues are released, especially through the idea of complexity and non-fragmentation. It is argued here that, if the way to understand journalism has impacts on the creation of a concept of "Environmental Journalism,” the different ways of apprehending the environment also have them. How to conceive an environmental journalistic doing then?

On the Possible Environments
If the unrest of the discussions on the environment was mainly in the 1970s, the initial discussions about the environment category in the Social Sciences from this period are also tributary. The American sociologists Catton and Dunlap (1978: 44) were the first to ventilate the need for incorporation of ecological issues in research objects that were not necessarily environmental: “This involves studying the effects of the environment on society (e.g., resource abundance or scarcity on stratification) and the effects of society on the environmental (e.g., the contributions of differing economic systems to environmental degradation)”.
Thus, when they see that the work of the sociological time departed from anthropocentric assumptions, the authors above have been involved in the delineation of two major axes for the Social Sciences, defined from the position occupied by the Environment category in analysis: the HEP (Human Exemptionality Paradigm) and the NEP (New Ecological Paradigm). The HEP represents a continuity of the already exercised sociology, because it captures humanity from the specificity of its cultural characteristics that, in some way, are superior to the biological ones. The second model, in accordance with Fleury, Almeida, and Premebida (2014), sees humanity as just another species sharing the planet. There is, in the NEP, then, a prerogative hypertension, because it points to an idea of dependence among the human beings.
Catton and Dunlap (1978), as well as a large part of the theoretical tradition that they inspired, suggest, roughly, treating the environmental problems as real problems. From this perspective, a cause and effect relationship is assumed between human activity on the planet and the degradation of nature, which would be the scene of the current global “environmental crisis” scenario.
This is, in this conception the environmental problems exist and should be apprehended since their materiality: although they have been caused by a given society, the perception of social actors involved to some extent in that specific situation (or the meanings they attribute to the environment) is not configured as a matter for these authors. Even though it may seem paradoxical, for this theoretical realistic tradition, the overcoming of this crisis conjuncture would also be given by human intervention in nature: by assuming an objective and clear reality of environmental issues, the authors focus identification and reaction abilities in the expert systems, that is, it is almost solely up to Science to solve the problems produced. The realistic approach of Catton and Dunlap (1978), although innovative in its meaning of environmental issues, was not concerned with breaking with the dichotomy that exists between society and nature. Moreover, even if it has designed a dialog between these poles until then unknown, realism, to some extent, reinforces the idea of nature and society in ontologically distinct places: even though one may act on the other, there is no room in this theoretical perspective to develop contact zones.
Journalism in general, it is argued here, is quite linked to this way of apprehending the world: its news-values, in fact, are characterized by what is real, by the event. In other words, we can say that journalism is interested in narrating what it sees, even if this point of view is always partial and incomplete. In this sense, Environmental Journalism emerges based on covering environmental disasters or catastrophes, as is the case of landslides or extreme events (death of species, tsunamis etc.). In these cases, journalism - from a strictly realistic view - recounts the fact itself, giving priority to official sources and scientists, in search of explanations and predictions of the future. With this, the lack of more contextualized and systematic coverage of less local - or, alternatively, less concrete - issues is justified, as is the case of global environmental changes or techno scientific controversies (such as the case of genetically modified organisms, for example).
While the realistic investments presuppose the concreteness of the world (that is, the environment exists and is real), the constructionist theories are buoyed by the opposite extreme: everything is a social construction. Thus, there is nothing real or true only in itself, because things (and the environment) only constitute if they are under construction: as a result, this theoretical matrix ends up removing the hegemony of the knowledge of science, which is to be perceived from their uncertainties and its situated character, which leads to legitimizing other actors silenced until then. Hannigan (2012) brings this dimension to punctuate the dynamics of environmental problems, because these are perceived and constructed collectively, involving multiple publics and arguments.

Central to the social construction of issues and environmental problems is the idea that they do not rely on a series of fixed non-social and obvious criteria. On the contrary, their progress will vary directly according to the result of the success of the actors involved, such as scientists, industrialists, politicians, civil servants, journalists, and environmental activists (Hannigan, 2012: 99).

From this perspective, the environment is no longer static and homogeneous, but it covers a plurality of actors that make equally multiple meanings, which hinder alliances and conflicts. Thinking environmental issues in a constructionist perspective, thus, involves abandoning the idea that there is something real in itself. It opens space to observe representations and discourses in different spheres, ranging from the production of scientific certainty to its communication through journalism, without forgetting the asymmetries between the public affected by problems and the interests of hegemonic agents.
It is interesting to observe the participation of journalism in the construction of environmental issues, a perspective which, to a certain extent, dialogs with the idea that the journalistic doing simultaneously recounts and produces it worldwide. From a constructionist approach, it would be up to Environmental Journalism to recognize that events taken as environmental are not isolated events, but part of an extensive network of relationships and meanings. This is an event like the death of fish, for example, it would be necessary for journalism to investigate the multiple causes, listening to different subjects and institutions without regarding them as more or less authorized to say. This involves the broadening of the variety of sources used: in the example given, it would be necessary to listen to scientific and official sources (such as government agencies), as well as the fishermen in the region, surrounding residents, industries, and environmental activists, in short, all those who think they have (and often do have) something to say about the situation. It is up to Environmental Journalism, therefore, to realize that the meanings that an event generates are plural and no necessarily in agreement: this is not about denying the materiality/reality of that fact – the main indictment of the constructionist bias. The main differences between the theoretical constructionist and realistic frameworks are summarized by Guivant (2002: 74) as follows:


The realists question the constructivists for having emptied the reality of environmental problems, falling into a relativism which would lead to inaction. The constructivists have responded that the realists lose sight of a central aspect: how and why certain topics are at certain moments to be considered as relevant and "real”.

Even though here, for the purpose of reviewing, they have been presented in a more simplified way, without their internal nuances, realism and constructionism are not necessarily irreconcilable approaches: between one pole and the other there are other more flexible views than combine and rethink them. The theoretical syntheses presented so far, despite holding distancing, have a type of belonging to the field of "Environmental Sociology” in common, whether it is adopting or weaving criticisms of the framework of Modernity. Another possibility of reflection about the environmental theme are the theoretical propositions of Giddens (1991), and Beck (1997, 2011), whose ideas have echoed in several studies in recent years, including in the field of journalism. His works, departing from a constructionist bias, share "Modernity"[4] as the context of central reading for the different relations established in contemporary times, including the relationship between companies and nature. Although these authors arrive at separate theories and conclusions, Giddens and Beck have the critical attitude to the idea of post-modernity in common, linking their analysis to the modern framework: it is not their intention, therefore, to break ties with the such project, nor to seek alternatives to it.
The framework designed by Giddens enables the examination (or even prediction) of the passage of a context of "low modernity" (also known as simple modernity) to "high modernity" (or reflexive modernity). This transformation would bring with it numerous consequences, restructuring societies; social practices would reform constantly from the knowledge they developed - which would generate the so-called reflexivity. This questioning of established knowledge gives rise to the idea of risks, a concept that allows pointing out the instability of the social world. That is, the process of globalization will lead the people to high modernity, in which agents operate in a permanently reflexive way. There is, therefore, an attempt of rapprochement between the structure and the agency, even though the analysis tilts to the side of the individual: this structuralist framework, however, does not appear to be sufficient (nor does it intend to) to eliminate the duality between nature and society, so that the thought keeps the two spheres/fields separated.
The proposal of Beck (2011), in turn, has its central category as a risk. These, however, are understood differently than what Giddens points: the risks arise from modernity itself and are internalized by companies of high reflectivity, because they have a global reach. In other words, risks and reflexivity are linked categories. Modern society is moved by the desire of technical and economic progress and, according to the author (Beck, 1997:, p. 12), "this new stage, in which progress may turn into self-destruction, in which one kind of modernization destroys another and modifies it, is what I call the stage of reflective modernization.”
The Risk Society is then a process and a product of modernity. In this logic, Science takes a vital role in investigations and in the production of risks. These, for Beck, are produced on an industrial scale and are inherent to economic growth: in this way, risk spreads across the planet almost homogeneously. Although the author considers that the potential of reaction to the risks is not identical around the globe, there is little emphasis on social inequalities.
Still in a constructionist framework, but from a view of the Society of Risks, Environmental Journalism broadens its scope of action for broader processes, without necessarily a fact or event as a trigger. It is interesting to think that this approach suggests a reassessment of the news-values of journalism, which is a product of modernity.
The question of the generalized risks (and the consequent fallibility of science) assumes a central character to this journalism: events such as the contamination of water, for example, can be addressed from the idea that the very system of distribution and treatment of water brings with it ambiguities. That is, it is a system that, assuming risks, mobilizes distinct rationalities - from the public manager (which should ensure continuous supply) to the engineer (which aims to ensure the drinkability), as well as the company that provides the service (which wants to do this by minimizing the costs), among others. This framework suggests Environmental Journalism engaged in a systematic coverage of cases taken as invisible (because they were located in a single time and space), such as the global environmental changes, for example.
The theories revisited until now, despite observing great differences between them (which entail even on objects and various methods), are part of the same ontology. The basic design of society and nature undertaken is the common axis to these approaches: they are different domains and sections, even though they dialogue to some extent. In this sense, the contributions of "post-constructionist" authors open a path interesting - and rupture - to think about the environment, proposing more than one dialog, the existence of points of contact and even a hybridity, between society and nature. That is, while realistic strands advocate the existence of two poles (society and nature), being the first determined by the reality that derives from the second, and constructionist prospects that reverse this logic, postulating that facts only exist from the meanings constructed by agents, post-constructionism draws from both spheres to, by itself, clarify the world – that is, neither the social nor the natural would have the explanatory capacity. So, for this reason, nature(s) and society(ies) are not pure categories, so the supposed boundaries between them cannot be respected: neither one nor the other can be taken as definitive, because in fact they are highly unstable creations.
It is on this production and separation that authors linked to the "ontological turn" in the area of social sciences have been approached, even if it was thinking more about the production of science and technology: to observe the privilege given to the human agency, while beings other than humans do not have their agency recognized, Latour and colleagues (2000, 2013) weave a critique of the binary order of the world, reaching to the questioning of the dualism between nature and society. Starting from a concept originally stipulated by David Bloor since Social Studies in Science and Technology, one comes to the premise of generalized symmetry, which is: "(...) the concept of symmetry implies, for us, something more than that for Bloor: it fulfils not only dealing with winners and losers in the history of science in the same terms, but also treating nature and society equally and in the same terms." (Latour and Woolgar, 1997:, p. 24). This extrapolation is an ontological change: no more primacy of social or natural, but both categories are emptied. In a similar meaning Descola discusses this separation between nature and culture in modernity, pointing out that even from the point of view of language these categories are located and limited: “es necesario constatar que los equivalentes terminológicos del par naturaleza y cultura son prácticamente imposibles de encontrar fuera de las lenguas europeas” (Descola, 2011: 88).
Thus, a research post-constructionist program suggests not accepting the overall division tensioned by Modern design, but just highlight the contact points between what was desired to keep apart:
Latour build on the concept of sociotechnical networks, with the goal of making the connections that cause both "natural” objects, such as the hole in the ozone layer, and "social” objects, such as experts or governments visible, may be seen associated as network-actors, heterogeneous members who cross the constitutional separation between society and nature (Fleury, Almeida, and Premebida, 2014: 47).

In this sense, by adopt a targeted post-constructionist, it is up to Environmental Journalism to unveil the connections and overlaps between what wants nature, on the one hand, and societies, on the other. This doing could break coverage guided solely by wild fauna and flora once and for all, because, in this context, it would not be up to journalism to talk about nature.
More than that, post-constructionism reminds us that the very idea of nature is not natural, but rather a construction shaped by Modernity. Taking this into account, great stories that tell of extravagant and untouched nature do not correspond to what is expected of Environmental Journalism. Even if such guidelines may serve the modern project, because they try to reinforce the separation between what is in the domain of nature and what comes to humanity, there are flaws and gaps. How, for example, do we explain exotic species distant from their original biome? What is "natural" about a "forest" of eucalyptus trees in the Pampa biome? By silencing the areas of association between the two poles, journalism may just collaborate to their multiplication.
Thus, in a post-constructionist perspective, the Environmental Journalism that would be set as a practice marked by systematic and complex coverage, that would be independent from specific events. Since journalism is founded from Modernity, we recognize that demanding an insertion in the "ontological turn" to it is perhaps a provocation in the long term: although it is set up as a challenge, this approach can be fruitful, coming to contribute to the transformation of the field itself. In this way, it can be suggested that perhaps the very values of craft requiring revisiting in face of the scenario that arises. More than the urgency and facts, by praising qualified interconnected information and the coverage of long process, Environmental Journalism could contribute to the construction of interpretation and coping frames with major contemporary environmental issues.
Parallel to this, when question the techno scientific knowledge, the monopoly of rationality and of the power of comprehension of the world (something that the constructionist approaches in some way already do), new arenas of knowledge can be forged, always dynamic, taking into account the historicity of the processes. Given the above, Environmental Journalism could - to some extent - be the driving force of a transformation in the understanding of the field itself, which would be recognized as such in a network, such as a product and a producer, in changing positions. With this, even though we do not suggest a relativist practice, we vent the idea that for journalism - as for post-constructionism - the search of the only and unchangeable "Truth" or "Real" is (or should be) at stake, but the possibility that reflects the ontological plurality.

Final Considerations
In this article, we sought to draw a theoretical-bibliographical review of the idea of Environment, bringing the different conceptions of journalistic practice. It is possible to practice journalism that addresses environmental issues from different premises: roughly speaking, it is feasible to point out the problems (Realism), listen to multiple actors (Social Constructionism), unravel the techno scientific risks (Structure and Society of Risks) and pay attention to their notion of separation between environmental processes and social (Post-constructionism). Each one of these perspectives leads to different "environments,” which leads to various solutions, narratives, and protagonists. That is, as many Environmental Journalisms as there are understandings of Environment can be assumed: what seems to be in question is to specify where the starting point is when addressing this issue.
Although if you do not wish to take a normative position, it is possible - and perhaps necessary – to consider the potential of each proposal. The practices commonly used by conventional journalism suggest a strong relationship with the realistic prospect of environmental issues: the "environment,” in this context, is almost synonymous with "nature,” which explains specific coverage on individual issues - and here, issues are read as problems. This justifies the current catastrophic journalism, which assumes to be an agent of modernity by distancing societies and nature, highlighting the impacts of the first on the second, as if nature was something given and inert or reactive. On the other hand, some journalism that is positioned as "counter-hegemonic" suggests the need to "give voice" the various types of knowledge, seeking the different possible representations when of an environmental event.
We must, therefore, question whether these approaches are sufficiently adequate to follow in course or, in other words, whether they have already exhausted their potential to offer several reading frames on the world. In this sense, and highlighting that the theoretical syntheses presented here are not steps of a research program or thought, we suggest that journalism - in particular its environmental aims - realizes and assumes the emergence of new narratives, which go beyond concrete and closed issues, but that are also more than representations about the world: what needs to be faced, perhaps, is the radical possibility that other worlds are possible.

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[1] The reflection that gave rise to this text was presented at the III National Meeting of Researchers in Environmental Journalism, held in São Paulo (SP) between October 22 and 25, 2015.
[2] This observation is a result of the study "O Estado da Arte da pesquisa em Jornalismo e Meio Ambiente e Jornalismo Ambiental no Brasil”, conducted by the Research Group in Environmental Journalism CNPq-UFRGS between 2011 and 2014. The study mapped 101 studies on Environmental Journalism developed in Brazil between 1987 and 2010. Some of the results can be found at Girardi, Loose, and Camana (2015).
[3] It should be noted that this perspective is opposed to those who are in "objectivity" and in "neutrality" to the specificity of journalism, which for a long time guided professional practice and the theory of Journalism - and still today resonate in these spheres. It should be noted that this conception is not to ignore the commitment to "truth,” but suggests that there may be as many truths as there are the actors involved.
[4] Here is not the place to dwell on the category of Modernity. To this end, we suggest the readings of Giddens (1991) and Beck (2011).

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